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I fully intended to upload these pictures earlier, but I discovered an embarrassing, and potentially hilarious spelling error in the work as soon as I returned home, which comes of working upside wrong using teeny tiny pieces of tape to write text, as well as an inherant inability to remember the number of esses appropriate to the spelling of desert and dessert, respectively. I had no paint (situation rectified, oh blessed G and S dyes) for the correction, and being at home, home type things would, and did, keep happening, and so on. But at last here are two of the final pieces of work produced in the screen printing workshop.

imageThe shapes in this print were appropriated from a book on screenprinting by Claire Benn and Leslie Morgan. They were simply cut from newsprint, laid out on the cloth, and printed using first yellow, then red and finally blue green paint, over the course of three days with plenty of drying time in between subsequent printings, and repeated cutting of shapes.

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The above piece is based upon the well known poem by Percy Shelley, titled "Ozymandias". The first run of printing was the blue area which covered the taped (and dismally spelled) text of the first four lines of Shelley's sonnet. The next three runs were used to define the coloured areas of the face, using stencils cut from newsprint. A fourth stencil will further define the image with line work.

The bottom desert area will contain further text and colour, to be determined. The piece will then be stitched and framed. Sounds relatively straightforward ... We'll see.

I had a wonderful time at the work shop, and would recommend to anyone that they take advantage of the offerings made by the Lunenburg School of the Arts. Great facility, great people, and lots of fun.

I have now completed day two of the screen printing workshop at lunenburg School of the Arts. Nancy Price, a NASCAD Instructor, is putting us all through our paces, offering valuable experience, support, and information.

Screen printing is definitely one of those techniques where learning basic skills and procedures is a necessary first step, requiring lots of hands on exploration and experimentation (not to mention the ability to think in negative images). I can already see the wealth of potential that screen printing offers, limited only by available (and sometimes pricey), materials and time. I am definitely learning a lot, having fun, and amassing a wealth of ideas ... eager to get back to my studio to play. Here are some of my fledgling attempts.

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i just got back from a two day retreat with members of the Fibre Arts Bee, and the enthusiasm and level of productivity made me feel like a snail in an ants' nest. I learned quite a lot, ate quite a lot, and had a generally good time.

The second piece in the colour challenge (for this very group) is now ready, and I think I will be framing the work from here on in, including the " infernal combustion engine" already posted. I think a frame transforms the work somehow, from a little piece of stitching, to a finished piece of art. Now I have to decide whether or not to use glass.

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I am heading out tomorrow for a week long workshop to learn screen printing. It takes place in Lunenburg at the lovely new facility "Lunenburg school of the Arts". I am looking forward to it, and now that I have figured out how to photograph and post from my I pad, I hope to be able to keep this blog more current, even from afar.

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At last Something is happening to this piece. I've decided to use this 8" by 10", 10 piece (God help me) colour challenge, as an opportunity to improve my relationship with my sewing machine, which is testy at the very best of times. It is newish, digital, and not my old Bernina - all things Not in its favour. Here's hoping that familiarity breeds, not contempt, but some sort of co-operation, possibly even guarded friendship. We'll see.

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This is a photo of my new collograph plate, which I did have fun making. I thought that I'd show it off a bit Before I mess it up printing tomorrow. Here's hoping the print works.